This essay deploys both critical and creative methodologies to address the research question ‘How can playwriting contribute to an understanding of intercultural experiences, identities, and differences between the Middle East and the West?’
My goal became to find new, expanded, theatrical forms to initiate a dialogue between concepts of diasporic identity, trauma, conflict, and colonial history in the context of the Middle East and its relationships with its Others – including through the specific trajectory of my own journey and how my subjectivity has been shattered and reformed by multiple transnational relocations.
This essay deploys both critical and creative methodologies to address hybrid Arab identities and ways playwrighting can contribute toward that.
This essay deploys both critical and creative methodologies to address the research question ‘How can playwriting contribute to an understanding of intercultural experiences, identities, and differences between the Middle East and the West?’
My goal became to find new, expanded, theatrical forms to initiate a dialogue between concepts of diasporic identity, trauma, conflict, and colonial history in the context of the Middle East and its relationships with its Others – including through the specific trajectory of my own journey and how my subjectivity has been shattered and reformed by multiple transnational relocations.
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